Reynolds 300 Articles
Art - Sep 2023
Walking Trail: Reynolds' London
Although he maintained his links with the West Country throughout his life, Reynolds made London his home from the early 1750s. The places where he lived, worked and socialised were centred around Piccadilly and Leicester Square. This short walking tour connects some of the streets where he would have spent a great deal of his time, and follows a circular route that starts at finishes at Leicester Square tube station.
Press Release - Aug 2023
A painting exchange with Saltram House
As part of our programme to celebrate the 300th anniversary of the birth of Sir Joshua Reynolds (16 July 1723-23 February 1792), The Box has partnered with The National Trust at Saltram House, in Plympton to exchange works from our collections.
Reynolds 300 - Jul 2023
Reynolds 300: A world of colour
This summer we’re celebrating the themes of light and colour as well as the 300th anniversary of the birth of famous portrait artist Sir Joshua Reynolds (1723-1792). For Reynolds, colour was a fundamental part of creating captivating portraits. The use of colour he saw in centuries-old paintings during a period of time he spent in Italy as a young man influenced both his practice and teaching.
Reynolds 300 - Jun 2023
Reynolds 300: What can Reynolds' portraits tell us about the era?
Sir Joshua Reynolds' career spanned a time of national and global change and the portraits on display in 'Reframing Reynolds: A Celebration' can tell you a lot about society in this era. We've also created a timeline showing his career progressing alongside other major events that he and his clients had connections to.
Art - May 2023
Reynolds 300: Portrait of Samuel Reynolds
The Reverend Samuel Reynolds (1681-1745), was the School Master of Plympton St Maurice Grammar School. Most importantly, he's a father who played a pivotal role in his child’s life and future career.
Art - May 2023
Reynolds 300: Portrait of Lady Ann Bonfoy
This gorgeous portrait dating from the 1750s and depicting a woman in a green and pink dress is part of our ‘Port Eliot Collection’. The woman is Lady Ann Bonfoy (nee Eliot) - the eldest daughter of Richard Eliot (1694-1748) and his wife Harriot (sometimes written as Harriet) (1713-1769).
Art - May 2023
Reynolds 300: Portrait of Elizabeth Limeburner
Like the enigmatic smile on this young woman’s face, there is more to this portrait by Sir Joshua Reynolds than meets the eye.
Art - May 2023
Reynolds 300: Italian Sketchbook
In 2014, Plymouth secured £326,300 from the National Lottery Heritage Fund and a range of other funding partners to acquire two important items connected to artist, Sir Joshua Reynolds. One was an early self-portrait from the mid-1740s. The other was a fantastic sketchbook compiled on his ‘Grand Tour’ to Italy from 1750 to 1752.
Art - May 2023
Reynolds 300: Portrait of Charles Rogers
The Box's historically important Cottonian Collection contains thousands of fine and rare prints, drawings, paintings, watercolours, books, sculpture and furniture, and represents the changing tastes and interests of five generations of men over a period of more than 250 years. The man in this portrait by Sir Joshua Reynolds (1723-1792) is the second of the five.
Art - May 2023
Reynolds 300: Early Self-Portrait
Sir Joshua Reynolds didn’t just paint portraits of the rich and famous, he also created portraits of himself! In 2014, The Box was delighted to acquire two important works by him – one of which was this early self-portrait from 1746.
Art - May 2023
Reynolds 300: Portrait of Augustus Keppel
Sir Joshua Reynolds’ portrait of Captain the Honourable Augustus Keppel (1752) made him famous. Keppel was a well-known up-and-coming naval officer who was greatly admired by the public and nobility alike, and Reynolds used this painting to market his artistic skills and unique style of portraiture.
Art - May 2023
Reynolds 300: Portrait of Theresa Robinson
This tender full-length portrait dates from 1770-1772 and shows the Hon. Theresa Robinson, Mrs John Parker (1745-1775) of Saltram House, near Plymouth. She was the second wife of John Parker (1734/5-1788) (created Lord Boringdon in 1784), a great friend and patron of Reynolds. The painting has recently been beautifully conserved and is displayed for the first time since the conservation in the ‘Reframing Reynolds’ exhibition.